All pictures: Walt Disney
Nostalgia 2.0: "Tron: Legacy" Is nostalgia for the "Generation Golf"
Cheerful quote rates, unfortunately without chance: "Tron: Legacy" looks nice, at least from the scissor cuts mentioned by the 3D effects. The movie visually promises the retro charm of the first "Terminator". But the story, Oh ever, … If you want to call them overhaut, she is fabulous. And then, Oh, Oh, Oh, director Joseph Kosinski obviously had a bad damage on his external hard drive, on which he has saved all his favorite movies. Maybe the bad RIP program was also to blame, at least the files have been messed up, have learned to run and have broken out: "2001", "matrix", "Scooterball", "The fabulous world of Amelie", "Blade Runner", "Mad Max". And then a double jeff bridges, oh, oh, oh, oh ever…
Well, you could tell it now: Jeffrey Lebowski, the Dude out "The Big Lebowski" From the Coen Brutern, a few joints has moved too much behind the brain windings. And what is going on in front of his inner eye, this movie is: The story of a Zen Buddhist, which is locked up in a computural world, walking around in a designer kimono, eating virtual suckling pig, and paid by ancient times Son is visited and from his younger himself, which is not he himself, but a Bose aberration of himself, and then with the help of motorcycle races and duels with glowing frisbee slices must fight for his survival.
Or try to associate the action using the press release: "Sam Flynn (Garrett Hedlund) is 27" It’s been there, and continue: "a computer specialist and charming drawer like his father, who disappeared without a trace of his life long ago. Since 1989, Kevin Flynn (Jeff Bridges), the Schopfer of the Revolutionar Computer Game Tron, Volley. Until Flynn’s old friend Alan Bradley (Bruce Boxleitner) Receive a message – from Flynn’s Fruher Buro in a placed arvor in which time seems to stop. What Sam finds there, his imagination exceeds." Yes, exactly!! That’s how we went to us.
In any case, Jeff Bridges does not play Jeff Lebowski, but twice, so a 61-year-old with Guru-Bart and Hippie outfit and his young himself, stronger with computer botox. Anyway, the lips do not move like those of the young Jeff Bridge, but rather like the old Nicole Kidman – Muhsam, Starr and Unsynchron.
Virtual meat and paranoia
"Tron: Legacy" is a futuristic thriller as of the nineties, like "matrix", "existence" or "13th floor". No wonder, because he bumps directly to his role model, Steven Lisberger’s almost 30 years old "Tron", A 1982 Revolutionar Computer Thriller, which was a hybrid from live action and computer animation at that time. In the movie, to which parents will remember some readers from their kindergarten times, it’s about a computer program that makes what it wants. A Dunne story and a style of the, you see everything today, especially unsavely is slow. To not say: Long.
"Tron: Legacy" Is unequal faster. He could also "Tron 2.0" make. At the same time, he is also very corpulent, almost analogous. It’s not about data streams, but virtual meat – "Sweet Dreams Are Made of This". And it’s about "paranoia": A computer program called Quorra has the figure of a Louise Brooks, and Fritz Long Stand Pate. Here is the qualitat of a hypnotic horror trip here, where you can go over the eyes. At every moment the kitsch, but always in the consciousness that this kitsch is the only resort of the world. Nevertheless, this is all the whole super-hyper-neon-horror picture show taken together as so many films today, just another exercise in mass nostalgia for the generation Golf – a movie only for people over 30 and under 55, and no Film for cinephile.
The digital revolution eats her father
At the tell-up level, this movie is a dispatch: neither is it about "classic" Stories on the Internet, which networks all areas of life, to control computer programs, nor more contemporary discourse such as monitoring, decay of privacy or even social networks. By taking it instead of how the digital revolution eats its father, and ultimately is very good and conservative about family co-operation, the film turns out as a child of a conservative, anxious age, and a soft mass industry, which has long been due to the modest political framework of his Ending country, adapted to USA.
At the center is a son, Sam, who doubts the father, deputy for the skepticism of today’s opposite the 68-generation, and because the father absent, disappeared: with a new woman, with the army, as a booze – Who wife the beautiful. And in which he finds the lost father, integrated again, he not only heals his own wounds, he saves himself and the father (and its generation) with the current time – quite reactionary in total, or? As "Lord of the rings" or avatar, the maintenance is completely ironly free, and absolutely esoteric; like this is also "Tron: Legacy" A coarse madman monomaniac, escaping the brain of control freaks that do not want to do anything to chance and still want to make the smallest detail of their artificial world.
Stylistically, it looks better: At least partly revolutionary asthetics, however, refutes this consensus program at least something. The movie is fast, boring. Much sparkles and implies and is at least unusual. Add to that another strong: the rough driving cyber-romantic roasting trance pulse music of the French House Duos Daft Punk. All all together is absolute insane and fascinating robotic kitsch – you can already see if you do not expect anything.