The eiland of doctor scorsese

The Eiland of Doctor Scorsese

Pictures: Concorde

Rasant in the thicket of the irrational: the psychotriller "shutter Island"

Madness and society: A sleepless young man meets his inner damons. An irrepresentation has increasingly similarly with a camp, soul experiments meet the paranoia of the 50s. And Martin Scorsese turns the Braven in this movie "Departed"-Terrain back the jerking and reflects on his own interests – stories about the age: what "true" is what is hallucinated, this is increasingly unclear in this vexigation game.

ANY CALL CAN BE MURDER, ANY STOP CAN BE SUICIDE, ANY NIGHT CAN BE THE LAST. And you thought your job something bright?

Tagine too "Bringing Out The Dead" from Martin Scorsese

Already he recalls in hat and suit on James Stewarts figure in Hitchcocks "Vertigo". Also this man named Teddy, the Leonardo di Caprio in "shutter Island" is urgent, is a police detective, even he has traumatic experiences behind him – as GI released at the end of the Second World War Dachau, his wife came to life in a fire – and he also stops his own past in the course of investigation him in a tumble of uncertainty.

Cabinet of madness

Martin Scorses’s new work, a film adaptation of the Romans of Denis Lehan, begins with the arrival of two US Marshalls (Dicaprio and Mark Ruffalo) in 1954 on the title remote island in front of Boston. She houses Ashecliffe Hospital, a clinic for heavy-prohibited, and divided into three blocks a cabinet of madness: mentally ill who are a danger for her fellow human beings; Many of them have beloved on the conscience. This place is a kind of realized utopia, which has become dystopia under its realization: an abutment of the rest of the world in which "the real sites within culture simultaneously reproduced, denied and turned", Something dubbing a place "outside of all places" (Michel Foucault).

The police should now explain the mysterious disappearance of a patient. Even breakfast is some strange in the air. The guards are hardly negative than their patients who are not exactly cooperative: Ben Kingsley plays Dr. Cawley, a human doctor, who were sermonger therapies in an age, in the electric shock and lobotomy of the normal case of psychiatry, gentle. Relatively at the beginning of the movie, the doctor will blame his treatment method: Einfuhlsam and Human you can see the sick. The missing, for example, hold the nurser for her neighbors, and "We argot the game with." Play the game, maybe this is the conclusion of the key too much.

The Eiland of Doctor Scorsese

Despite all kindness: The doctors play the game of investigators reluctantly with, everything looks off, and something seems to be with Dr. Cawley not to vote. First right around so mysterioser Draft Dr. Naehring (Max of Sydow), the Duster Shadow Connected by Ashecliffe Hospital. He is also German. Could it be a former concentration camp medical doctor, who now continues his human trials? Indicators at least there are.

Recurrence of the displeased

Already Fruh is clear that Dicaprios’s headache police detective a personal trauma with himself: The film only plays nine years after the capitulation of Nazi Germany, the men wearing hat to their trench coats and the mental wounds of the war are barely healed. The encounter with Nehehereing works for Teddy as a blame for the return of the displeased: the memories of his terrible war experiences come up again in him.

In the cinema, the veteran perspiration was first very cleared and humanized prasent, as "Liberal Schmaltz" Like some US critics a little hard the movie "The Best Years of Our Life" by William Wyler, who brought the problem at least the problem in 1946 in 1946.

At the same time, the evidence heaps that there is still much basic a little lazy in Ashecliffe Hospital. Before the darkness loses, a scoresis deep into the thicket of the irrational and attracts all the registers of the classic genre district, which is currently experiencing his resurrection: "shutter Island" is paid in the imaging of the film Noir, the magnificent black series, which is particularly inspired by German Expressionism. The crime movie transforms under his hand into a ressed drama, becomes horritorbliller, to the clearing nightmare cinema, then to end as a psychotriller.

"Bigger Than Life"

And so the perspectives of the film itself are repeating again and again: This is a film full of ambivalencies, openly based, to the traditional black-romantic Gothic Novel, those popular Schauer novel – a B-picture of the literature, which in Germany in contrast to France , England, Italy, Spain and America could never be quite fed – whose pictorial language inspired all B-Movie genres. The Gothic theme is, very commonly said: the irrational, the eerie, non-capable, chimare. It is "the other".

The Eiland of Doctor Scorsese

Staged is the most powerful and very stylized, fully stuffed with cheap year market gags, but which, however, all working at the overheating principal, which should arise here. Music of Mahler and Ligeti wear to this opera "Bigger Than Life" while, and again and again there are moments where you are simply losing yourself as a spectator in this movie. Nevertheless: Scorsese is, that should one, if it gets black in the cinema in between, as Hitchcock always a rationalist.

Black clearing

His new film is on the one hand a tribute to the classic paranoia cinema Hollywoods, on films like – as a pragniant test example – Samuel Fullers "Shock Corridor", to the horror cinema of those years, to the B films with theirs "Corporate" (Don Seal "Invasion of Bodysnatchers"), Remote-controlled people, "Brainwashing" and other stunning stalks, from which the theory of universal manipulation of those years. An important role here also play the spirits from the past, which do not want to rest, which the presence haunts, like Otto Premingers "Laura", how "Out of the past" by Jacques Tourneer or just like "Vertigo".

Maybe even Kubricks stood "Shining" Pate. This is in any case a tribute whose beautiful, perfectly staged images are represented by the love of the director to these films of his own childhood. Targeted exaggeration. And artificiality. The sphapping music, the colors like a provincial lift should not be surprised: That’s wanted, the attitude to the quotes game. You do not have to take that. To identify it, you have to know the models of course.

The Eiland of Doctor Scorsese

This is not just an analogy on the McCarthy America of the witch hunt, or even its subtle reduction in nostalgia, but an abysmess comment on our present. Also in standing reason and delusion closely with each other: for our wars, our terrorist, our safety and health awareness finds scorsesis a mirror in the firty years. Black clearing about the nearby madness and society.

A real scoresesis: Let’s go up to everything

So this movie is all in all a real scoresis: with a driven hero who goes over its limits, sacrifices in a certain sense. Leonardo The Caprio, which can confuse self-confidence with vulnerability, charm with bitterness, in its fourth collaboration with scorsesis, whose obvious mutual inspiration of Aufen is almost acting, like an artist father-son ratio, and whose game carries this movie is long ago became a typical scoresis hero: one who drives his passion, one who takes a journey to night.

The Eiland of Doctor Scorsese

Like Nicholas Cage in "Bringing Out The Dead", which encounters a young woman there, which is a Damon in the spirit of Gothic Tale. We do not forget that also Travis Bickle, the "Taxi Driver", A war veteran was, one who had traumatized the Vietnam experiences. Always shows Scorsese "Hex", Again and again he does not pay by sustained, somehow-driven young manners who have laughed at themselves and desperate to her, looking for the blanking. If sometimes finds one, here is one "gross director in a gross mistake", Then he exchanges for more reasonably. In any case, the verdict is a little premise and lightly. Instead, let’s take, Bittschon, put on everything.

This is more than many other scorsesis works, a terrific vexigation game where surprises until the end does not stop: cinema as a feverish Grand-Guignol spectacle, horror as an instrument of knowledge.

The Eiland of Doctor Scorsese

The Eiland of Doctor Scorsese

The Eiland of Doctor Scorsese
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